Nothing right in the world ever occurs without a fight

2020 Tactical infrastructure for protesting / Lower Manhattan, NYC

Protest is the most direct expression of public opinion. The main purpose of the protest is to unite the people in their dissatisfaction with current situations of govern-ment and control and to give voice and space to its presentation. This thesis studies the non-violent protest, focusing on protestors using bodies to occupy public space. Society tends to think of public spaces as open, welcoming and transparent. But instead, anthropology has shown that public space corresponds to the hierar-chical classification of societies who obey social norms without noticing. Whose public space is it ? A genuine public space is an area where people can support the freedom of an individual or a community to articulate their opinions and ideas without fear of retaliation, censorship, or legal sanction.

This Thesis pictures genuine public space, based on protestors’ self initiation and building of infrastructure in between private buildings and public areas in Lower Manhattan, New York. Tactical Urbanism for Protesting offers flexible interventions that bridge urban fabrics and create a new urban culture through the responsive architectural innovation of enabled political disruption. The series is a combination of mapping “public/private” and the odd existence of “privately owned public space”; factual and fictional scenario collage and “text/script” sculpt the process of grassroots building bottom-up of enabling protest in public space, shifting temporary sites of occupation and protest to unshakable permanent public space.

These are my first initials: 5 extreme colleges scenarios, after studying in non-violent protests. They can be sorted into 2 categories. First, as using tactical strategies and routes to avoid confrontation with authorities, as policies strategies in actions as: eviction, barriers and kettling. Second, as a more contextual aspect that  how non-violent protests mostly use symbolic objects or monuments as signifier, to circulate collective express, to experience the same identity and invoice themselves.